* Photo Courtesy of The Record – Year On The Grand -
 
Choosing Your Movie

 

For 2009 GRFF has programmed movies that will appeal to a wide variety of tastes in different genres. Check the movie under each program bucket and then browse your selection under Box Office for a synopsis and production information.

Galas’ – A high profile program of premieres to announce the Festival’s Opening Night. These black tie event of the year and includes a Red Carpet, Sky Lights, Live Television Coverage, Catered Champagne Reception and a Post Screening Party into the wee hours of the night.

Pontypool

 


Grand River Special Presentation‘ - Festival programmers scour the world to find the best of current international filmmaking. Grand River Special Presentation is a lavish collection of daring, provocative and artistic films from around the world.

Changing Sides

(De l'autre côté du lit)

;

Every Little Step

Winner
Berlinale 2009
Toronto International Film Festival 2008

 

Krabat

Winner
Toronto International Film Festival 2008
Winner: Bavarian Film Award 2009
Best Youth/Children Film

 


Eastern Exposure’ – A unique window on contemporary Asian cinema, this program is designed to deliver the best of the best in all genre from Asia’s noteworthy filmmakers.

Departures (Okuribito)

Winner

Winner Best Foreign Language Film Academy Awards 2009
Winner Audience Award Hawaii Int'l Film Festival 2008
Winner Audience Award Palm Spring Int'l Film Festival 2008
Winner Grand Prix Montreal World Film Festival 2008



After Dark’ – A popular, iconoclastic, midnight program that highlights the wonderfully unconventional thrillers, chillers and rockumentaries from filmmakers who prefer to work in genres not usually seen in a festival context.

An American Crime

Nominated For A Golden Globe 2009 - Best
Performance by an Actress in a Mini-Series or Movie Made for TV



New Vision’ – A marvelously exotic treat, this program of Contemporary World Cinema is our bird’s-eye-view of new trends in cinema and the moving image.

Hobo Film Fest

Trains may not be North Americans' preferred mode of transportation, but that doesn't mean they don't have their devoted fans. Arlo Guthrie, Johnny Cash, and Willie Nelson have all sung about them. Jack Kerouac, John Steinbeck, and William Vollmann have written about them. A homage to the joys of riding the rails, and not from first class, but from the freight car, where such travel iofficially forbidden.

Shawn Lukitsch is at the helm of the Hobo Film Festival. Simply put, this fest is a collection of documentaries that celebrates hobo and tramp culture in the U.S. And if you're wondering what the distinction is between hobo and tramp, Lukitsch, 32, points out that the former refers to those who hop trains in search of employment, while the latter group is motivated mainly by wanderlust. Both relate to the sense of romance and adventure in hopping freight trains for their travel.

Lukitsch knows from what he celebrates. He is a seasoned train-hopper himself. Though he makes his own docs on the experience, his Hobo Film Festival, which runs three hours, showcases the work of other pioneers in the field. Like Erik Burke (Road to Colossus), Bobb Hopkins (The Great American Hobo), Shana Lawton (Slack Action) and Brian Paul Higgins (Listerine on Sundays). The aforementioned works, as well as a dozen more films to be shown at the fest, are shorts.

Also on display are the striking photos of Lukitsch's buddy, Hans Hansen, who will be on hand here. But the highlight of the event is the presentation of John Davis's 90-minute feature Hobo.

Train-hopping goes back to the dark days of the Great Depression, 80 years ago. For many, it was the only form of free transport available to bring them to employment opportunities elsewhere. And word is that current economic climes have resulted in an upsurge of train-hopping again.

 

 

 

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